All Fra Angelico Oil Paintings

Fra Angelico Galleries b.c. 1400, Vicchio, Florence d.Feb. 18, 1455, Rome Fra Angelico (c. 1395 ?C February 18, 1455), born Guido di Pietro, was an Early Italian Renaissance painter, referred to in Vasari's Lives of the Artists as having "a rare and perfect talent". Known in Italy as il Beato Angelico, he was known to his contemporaries as Fra Giovanni da Fiesole (Brother John from Fiesole). In Giorgio Vasari's Lives of the Artists, written prior to 1555, he was already known as Fra Giovanni Angelico (Brother Giovanni the Angelic One). Within his lifetime or shortly thereafter he was also called Il Beato (the Blessed), in reference to his skills in painting religious subjects. In 1982 Pope John Paul II conferred beatification, thereby making this title official. Fiesole is sometimes misinterpreted as being part of his formal name, but it was merely the name of the town where he took his vows, used by contemporaries to separate him from other Fra Giovannis. He is listed in the Roman Martyrology as Beatus Ioannes Faesulanus, cognomento Angelicus??"Blessed Giovanni of Fiesole, nicknamed Angelico". Fra Angelico was working at a time when the style of painting was in a state of change. This process of change had begun a hundred years previous with the works of Giotto and several of his contemporaries, notably Giusto de' Menabuoi, both of whom had created their major works in Padua, although Giotto was trained in Florence by the great Gothic artist, Cimabue, and painted a fresco cycle of St Francis in the Bardi Chapel in Santa Croce. Giotto had many enthusiastic followers, who imitated his style in fresco, some of them, notably the Lorenzetti, achieving great success.
 

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Fra Angelico The Adoration of the Magi oil on canvas


The Adoration of the Magi
The Adoration of the Magi
Painting ID::  32108
  mk78 c.1435 Tempera on panel 39x56cm Florence, Museo di San Marco
  mk78 c.1435 Tempera on panel 39x56cm Florence, Museo di San Marco

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Fra Angelico The Coronation of the Virgin oil on canvas


The Coronation of the Virgin
The Coronation of the Virgin
Painting ID::  32109
  mk78 1434-5 Tempera on panel 209x206cm Paris,Louvre
  mk78 1434-5 Tempera on panel 209x206cm Paris,Louvre

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Fra Angelico Deposition oil on canvas


Deposition
Deposition
Painting ID::  33258
  mk83 c.1430-1440
  mk83 c.1430-1440

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Fra Angelico Annunciation oil on canvas


Annunciation
Annunciation
Painting ID::  33259
  mk83 c.1450
  mk83 c.1450

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Fra Angelico St Lawrence Receiving the Church Treasures oil on canvas


St Lawrence Receiving the Church Treasures
St Lawrence Receiving the Church Treasures
Painting ID::  33305
  mk86 c.1447-1450 Fresco 271x205cm Rome,Vatican,Cappella Niccoliana
  mk86 c.1447-1450 Fresco 271x205cm Rome,Vatican,Cappella Niccoliana

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     Fra Angelico
     Fra Angelico Galleries b.c. 1400, Vicchio, Florence d.Feb. 18, 1455, Rome Fra Angelico (c. 1395 ?C February 18, 1455), born Guido di Pietro, was an Early Italian Renaissance painter, referred to in Vasari's Lives of the Artists as having "a rare and perfect talent". Known in Italy as il Beato Angelico, he was known to his contemporaries as Fra Giovanni da Fiesole (Brother John from Fiesole). In Giorgio Vasari's Lives of the Artists, written prior to 1555, he was already known as Fra Giovanni Angelico (Brother Giovanni the Angelic One). Within his lifetime or shortly thereafter he was also called Il Beato (the Blessed), in reference to his skills in painting religious subjects. In 1982 Pope John Paul II conferred beatification, thereby making this title official. Fiesole is sometimes misinterpreted as being part of his formal name, but it was merely the name of the town where he took his vows, used by contemporaries to separate him from other Fra Giovannis. He is listed in the Roman Martyrology as Beatus Ioannes Faesulanus, cognomento Angelicus??"Blessed Giovanni of Fiesole, nicknamed Angelico". Fra Angelico was working at a time when the style of painting was in a state of change. This process of change had begun a hundred years previous with the works of Giotto and several of his contemporaries, notably Giusto de' Menabuoi, both of whom had created their major works in Padua, although Giotto was trained in Florence by the great Gothic artist, Cimabue, and painted a fresco cycle of St Francis in the Bardi Chapel in Santa Croce. Giotto had many enthusiastic followers, who imitated his style in fresco, some of them, notably the Lorenzetti, achieving great success.

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